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1998 (3)

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Dramas of solitude : narratives of retreat in American nature writing
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ISBN: 0585062323 9780585062327 0791436772 0791436780 1438417691 9781438417691 Year: 1998 Publisher: Albany : State University of New York Press,

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Abstract

What do stories of nature tell us about the social or ethical purposes of solitude? And what do stories of solitude reveal of the "character" of nonhuman nature? Dramas of Solitude brings the insights of narrative theory to bear upon the genre of nature writing, to explore the social or ethical purposes of solitude in stories of retreat in nature. Through discussions of texts by Henry D. Thoreau, John C. Van Dyke, Wendell Berry, and student writers, among other, this book complicates social views of literacy with depictions of a solitude held in dynamic relation to a not-only-human community. It will inform the efforts of literary critics and writing teachers alike who hope to reintegrate English studies upon ecological terms.

The reading lesson
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ISBN: 1282075721 9786612075728 0253112818 0585161674 9780585161679 9781282075726 6612075724 9780253112811 0253334543 0253212499 9780253334541 9780253212498 Year: 1998 Publisher: Bloomington, Ind. Indiana University Press

The evolution of English prose, 1700-1800 : style, politeness, and print culture
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ISBN: 051158279X 0511005954 9780511005954 0521624320 9780511582790 9780521624329 0521624320 9780521021548 0521021545 Year: 1998 Publisher: Cambridge : Cambridge University Press,

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Between 1700 and 1800 English prose became more polite and less closely tied to speech. A large scale feminisation of literary and other values coincided with the development of a mature print culture; these two historical trends make themselves felt in the evolution of prose. In this book Carey McIntosh explores oral dimensions of written texts not only in writers such as Swift, Defoe and Astell, who have a strong colloquial base, but also in more bookish writers, including Shaftesbury, Johnson and Burke. After 1760, McIntosh argues, prose became more dignified and more self-consciously rhetorical. He examines the new correctness, sponsored by prescriptive grammars and Scottish rhetorics of the third quarter of the century; the new politeness, sponsored by women writers; and standardisation, which by definition encouraged precision and abstractness in language. This book offers support for a hypothesis that these are not only stylistic changes but also major events in the history of the language.

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